2015-06: Draw Every Day in June

Back in June 2015, I decided that I was going to draw at least one thing every day. I ended up with a lot of doodles that I ultimately didn’t like, but I did produce a couple of pieces that are pretty nice.


I did this one without any kind of reference – and this isn’t an easy pose! I may have looked at my own hands as a reference for the hand here, but reference photos? I didn’t use any.

I wouldn’t recommend this method of drawing, by the way. References are great and reduce a lot of frustration when you can’t get a pose quite right.


The shadows in this piece are definitely too dark, but I have always been pretty obsessed with that kind of chiaroscuro effect. It was most obvious in my 2014-2015 art.

Sailor Pluto’s Garnet Rod always looked really complicated for me to draw, but surprisingly, that wasn’t the case. It was genuinely not difficult.


I actually did use a reference for this one – from AdorkaStock – and as a result it turned out pretty well! Well…except for the chair/throne thing.  That’s definitely too geometrical.


The contrasts here are even higher than in the Sailor Pluto Image, and that’s because I decided to shade with BLACK. It’s super dramatic and I love it. I love this kind of contrast!

The Gate at the End of the World (version 2)

<< The Gate at the End of the World (version 1)


I started the second version of The Gate at the End of the World pretty soon after I set aside the first. The setting moved from one world to another, and from an arctic country to a country close to the antarctic.

You can see that this map looks like the southern end of South America. I’d been learning about Tierra del Fuego at the time. Kjulaina, the capital of the country of Päitlu, is roughly at the same latitude as the city of Ushuaia in Argentina.

I started writing the script in September 2016 and stopped on the 2nd of October 2017, because I seriously had no idea how to continue the story. I didn’t have an outline for the story and had no idea how it was going to end. I expected that it would last about fifteen chapters, but I only completed nine.

I worked on the comic from January 2nd, 2017 to September 30, 2017 (yes, I keep track of this down to the day). During that time, I drew 54 pages, completing a prologue and two chapters. I was a few pages into chapter 3 when I stopped working on the comic.


This was the main cast of the story. From left to right: Veitlen Tyvokäla, Kallinu Jurne, Ren Fennel, Tjära Kvennirna, Häkirin Maurkäla, and Brithan Thiosciáre. Every single one of them was imported into The Land of Two Moons with essentially the same character design and personality except for Veitlen, who ended up looking fairly different for some reason.

I originally considered bringing Harnur and Sajiiq into this version of The Gate at the End of the World, but that made the main cast too big. I even got so far as to draw a reference sheet for Sajiiq:


There were a couple of countries mentioned in this story: Päitlu (where the story was set, and the home country of Veitlen, Tjära, and Häkirin), Feillu (a country to the north of Päitlu, and Kallinu’s home country), Miryan (a country close to the equator, and Ren’s home country), and Ciniá (the most populous country in the world, a religious theocracy who believed they were blessed by the gods for avoiding the Cataclysm, and Brithan’s home country).

There were also a couple of different languages mentioned: with Päitlunko and Feillunno being the major ones, and Miryani and Ciniáne referenced with respect to Ren and Brithan. There was also a constructed language called International, represented by English (and white speech bubbles with black outlines in the comic) which had been deliberately constructed to that people from different countries would have a neutral language to speak.

Now, what exactly is the Gate at the End of the World in this story?

First, I’ll have to explain a bit of the backstory. 429 years previously, some kind of Cataclysm happened (I can’t find anything in my notes explaining it). Most of the world ended up contaminated with magic (the areas colored black on the map of Päitlu/Feillu). Ever since the Cataclysm, Hellgates started opening and closing randomly. During the time frame of the story, there is only one known Hellgate, which is the titular Gate at the End of the World.

Just like The Land of Two Moons, there were ghosts and demons in this story. There were also spirits:

  • Spirits: the “soul”; it’s what’s left of a person after they die. They can typically find their own path to Meil, an intermediary state where they wait for reincarnation. If a person was troubled, that might not happen, and a priest (like Tjära or Kallinu) has to talk the spirit into finding their own path to Meil.
  • Ghosts: primarily people who committed bad deeds in life or were extremely emotionally conflicted. Instead of becoming spirits when they died, they became ghosts. Because of their actions, they can’t pass on to Meil on their own. Instead, they had to be guided to Pryvur (Hell) for cleansing, and afterward were went to Meil.
  • Demons: the result of the Cataclysm. They were originally humans who gained an extraordinary amount of power. Their spirits became corrupted, and they became demons. Though it is extremely rare, people can still become demons today.

There was also magic in the world of The Gate at the End of the World. It was banned worldwide after the Cataclysm, since people who learned too much of the wrong kind of magic became demons. Punishment for magic use was most severe in Ciniá, and I was eventually going to reveal that Brithan could use a little bit of magic. In Päitlu and Feillu, priests (like Kallinu and Tjära) are the only ones allowed to use magic.

Veitlen came from a mage family who fled into the forest (the contaminated areas) after the ban on non-priests practicing magic. They used their magic to hunt demons. Bits of this got imported into The Land of Two Moons.

I’ll leave you with the character details that I posted on Tumblr years ago (Veitlen does not have one because he was never properly introduced):


Recommendations: September 2021


Chanson D’Amour by Orrin Grey (Nightmare Magazine)

Mister Dawn, How Can You Be So Cruel? by Violet Allen (Lightspeed Magazine)

Sometimes You Get the Bear by Tim Pratt (The Deadlands)

The Revolution Will Not Be Served with Fries by Meg Elison (Lightspeed Magazine)

What is Mercy? by Amal Singh (Fantasy Magazine)


Alone? or, How a Survivalist Reality TV Show Defangs Publishing’s Narrow Definition of Agency by Maria Dong (Apex Magazine)

Debarkle by Camestros Felapton

Trials By Whiteness: Orientalism and Liberal Multiculturalism by Jaymee Goh (Strange Horizons)


Game of Tones (about tone in language) by Artifexian (Youtube)

2006-02-26: Light in the Dark


This is one of the earliest pieces of digital art that I actually have a date for: February 26, 2006. I think the original image was drawn in paint, and then it was animated in GIMP, but I may have actually done the whole thing in GIMP.

Here is a scaled-up version of the image so you can actually see what’s happening: